While browsing any bookstore it would be rare for me not to buy something. More usual is the sight of me wandering around, arms laden with books or stopping to sit down and browse through the volumes I have gathered, trying to decide which ones to buy and which ones to leave for another day. I have only one rule. If I have picked up and carried a book around more than twice and left it behind, the next time I pick it up it goes home with me, regardless of what else I have with me. The Thirteenth Tale came to me this way.
What originally grabbed me each time I saw this book was a review on the back cover from an Edmonton journal which said this is “a book for people who both love books and know the importance of stories.” But Diane Setterfield wrote more than just that. She penned an eerie ghost story, a spooky tale about sisters and governesses and old houses, a twisting and mysterious story that keeps you on the edge wondering what will happen next. And she did this remarkably as a first time author. She blew me away.
This is a book I could not stop talking about having read it. I have leant my copy to several friends, all of whom raved about it. It is not the kind of story you can talk very much about without giving anything away. But I can say this, the feeling you are left with having read The Thirteenth Tale is like you have just spent time somewhere on the moors of England, in a dark old Victorian mansion, curled up by a fireplace with a cup of cocoa, while a very old lady told you a wonderfully creepy tale.
This is a book I could not stop talking about having read it. I have leant my copy to several friends, all of whom raved about it. It is not the kind of story you can talk very much about without giving anything away. But I can say this, the feeling you are left with having read The Thirteenth Tale is like you have just spent time somewhere on the moors of England, in a dark old Victorian mansion, curled up by a fireplace with a cup of cocoa, while a very old lady told you a wonderfully creepy tale.